LEARN THE ART
OF FILM EDITING WHILE WORKING ON A REAL MOVIE
At the heart of the
Edit Center curriculum is our six-week Art
of Editing Course, which brings together independent filmmakers
who need their movies edited and beginning editors who need the
chance to learn on a feature film. We truly believe that editing
cannot be learned from a seminar, book, lecture or exercise; cutting
a real film -- for a real director -- is the only way to immerse
yourself in the field and learn the skills you'll need to start
your career.
As a student at the Edit Center, you will:
WORK WITH TOP-NOTCH DIRECTORS ON AWARD-WINNING FILMS
Edit Center students have worked with directors Ethan Hawke, Gary
Winnick, Janeane Garofalo, Edet Belzberg, and many more. (Read
what our directors have to say about working with the Edit Center.)
Edit Center class projects have screened -- and won awards --
at Sundance, Cannes, Toronto, South by Southwest, Full Frame,
and countless other international and regional film festivals.
(To see a list of all our past projects, click
here.) As a student at the Edit Center, you'll work
hand-in-hand with the director to help them achieve their vision,
and you'll receive a credit on the finished film.
LEARN THE TRICKS OF THE TRADE FROM PROFESSIONAL EDITORS
Our teachers are in the classroom all day, every day, working
one-on-one to help students sort through material, solve problems,
and learn the professional workflow of film editing. Our teachers'
credits include Sicko, The
Squid and the Whale, Garden State,
Maria Full of Grace, Welcome
to the Dollhouse, Girlfight,
"The Wire," and countless other independent
films and television shows, and they are dedicated to sharing
their knowledge with the next generation of up-and-coming film
editors. (For a full list of our teachers and their credits, click
here.)
BECOME A FINAL CUT PRO EXPERT
We believe that six weeks is the minimum amount of time necessary
to learn any editing program well, and our goal is to make sure
you leave the class confident enough with the system that it becomes
transparent. By the time you finish the course, you'll be thinking
about your edits, not the buttons you need to push to make them
happen. Movies as diverse as 300, Napoleon Dynamite,
Cold Mountain, and Super-Size Me have been edited
on Final Cut Pro, and we believe that a thorough knowledge of
this software will serve you best as you look for work after the
course. (View scenes that
Edit Center students cut during the class.)
BUILD A CAREER NETWORK THAT LASTS FAR LONGER THAN SIX WEEKS
After the class, each student leaves with a credit on their class
project -- a real-world credential that helps build your editing
resume -- and an editor's reel of cut scenes to show the work
you've done during the course. But beyond that, you'll leave with
a network of connections in the independent film world.
Edit Center alumni edited No End in Sight
(Special Jury Prize, Sundance 2007), Day Night
Day Night (Prix Regards Jeune, Cannes 2007), Palindromes
(Venice, Toronto, New York 2004), Control Room
(Sundance 2004; Jury Award, Full Frame 2004), "Stella"
(Comedy Central), and more. Our students have also worked in post-production
on Little Miss Sunshine, Half
Nelson, Murderball, and
Match Point, among others, and all
of them cite the bonds they formed during their six weeks at the
Edit Center as crucial in jump-starting their editing careers.
(See what our students have
to say about their time at the Edit Center.)
DON'T HAVE SIX WEEKS TO SPARE?
As an Apple-certified training center, we also offer weekend
and one-week Final Cut Pro classes as well as courses in DVD
Studio Pro and Soundtrack Pro. All classes are taught by working
professionals on top-of-the-line editing systems.
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Evergreen
Official Selection
2004
Class Project
May 2003
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Room
Director's Fortnight
2005
Class Project
March 2004
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Home
Special Jury Prize
2006
Class Project
July 2004
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Great World of Sound
Official Selection
2007
Class Project
January 2006
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Frozen River
Grand Jury Prize
2008
Class Project 2007
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