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Swimmers
American Spectrum, Sundance 2005


Swimmers
Grand Jury Prize for Best New American Film, Seattle 2005


Red Doors
Best Narrative Feature, Tribeca 2005


Red Doors
Special Jury Award for Ensemble Acting, CineVegas 2005


Home
Special Jury Award, Silverdocs 2005


Charlie's Party
Cinevegas 2005


Evergreen
Dramatic Competition, 2004
Class Project, May 2003


The Mudge Boy
Dramatic Competition, 2003
Class Project, May 2002


Assisted Living
Grand Jury Prize, Best Feature Film, 2003
Class Project, November 2000


Tadpole
Best Director, 2002
Class Project, November 2000


Chelsea Walls
Director's Fortnight, 2001
Class Project, January 2000


Kaaterskill Falls
Critic's Award, 2001
Class Project, January 2002


Speedo
Documentary Feature Competition, 2003
Class Project, July 2002


Speedo
Audience Award, 2003
Class Project, July 2002


Year of the Bull
Real Sports, 2003
Class Project, July 2002


Piggie
Narrative Competition, 2003
Class Project, November 2000


Assisted Living
Best Feature & Audience Award, 2003
Class Project, March 2001


Assisted Living
Best Feature Film, 2003
Class Project, March/April 2001


Dogs in the Basement
Narrative Competition, 2004
Class Project, November/December 2001


Dogs in the Basement
Gold Zenith Jury Special Recognition, 2004
Class Project, November/December 2001


Speedo
Jury Prize, 2003
Class Project, July/August 2002


Speedo
Grand Jury Prize, 2003
Class Project, July/August 2002

Home > The Edit Center Store
Alan Oxman with a student

Recommended readings from the staff of The Edit Center


Dmytryk, Edward. On Film Editing.

"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic The Caine Mutiny begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the...
Read more on Amazon.com

LoBrutto, Vincent. Selected Takes: Film Editors on Editing.

Film buffs, students of cinema, and professionals in the field will be interested in the interviews with 21 feature film editors, whose credits include Ben Hur, The French Connection, The Godfather, and E.T. Arranged to illustrate the chronology and collaborations among the editors, the chapters...
Read more on Amazon.com

Murch, Walter. In the Blink of an Eye.

Walter Murch is the winner of multiple Academy Awards for his work as a film editor and a sound designer. Among his many notable credits are The Conversation, American Graffiti, Julia, Apocalypse Now, The Godfather (parts II and III), The Unbearable Lightness of Being, Ghost, Crumb, Romeo Is...
Read more on Amazon.com

Oldham, Gabriella. First Cut: Conversations With Film Editors.

First Cut offers the reader an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldman's interviews with twenty-three award winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, this is the first book to provide a comprehensive treatment of both documentary and feature film editing.
Read more on Amazon.com

Ondaatje, Michael. The Conversations: Walter Murch and the Art of Editing Film.

Ask most moviegoers, "Who is Walter Murch?" and they're likely to stare uncomprehendingly. Ondaatje (The English Patient) seeks to eradicate that ignorance by providing an expert analysis of Murch's consummate film editing skills, and pointing out along the way the monumental contributions editors...
Read more on Amazon.com
Rosenblum, Ralph. When the Shooting Stops... the Cutting Begins.

The film editor responsible for editing Annie Hall, The Pawnbroker, The Producers, and other successful films, describes the challenges, frustrations, and triumphs of this crucial but rarely appreciated art.
Read more on Amazon.com
Rubin, Michael. Nonlinear 4.

"Michael Rubin's thoroughly clear-headed Nonlinear 4 is perhaps the single best book on pure DV production issues."
Read more on Amazon.com
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